[프랑스 Harmonia Mundi 신보/ 그라모폰 에디터스 초이스 외]
http://to.goclassic.co.kr/newrelease/1674
 
*CHOC DE CLASSICA, 디아파종 황금상

 
HMC902130 빛과 사랑 (슈베르트 : 가곡 및 사중창)

수록곡 : 춤곡 D826, 차이점 D866, 동료애 (삶에 대한 열정) D609, 델피네의 노래 D857-1, 음유 시인 D149 (OP.POSTH.), 결혼식 요리 D940, 빛과 사랑 D352, 오늘의 봉헌 D763, 폭풍 속의 신 D985, 전능하신 분 D852, 무한한 분께 바치는 찬가 D232, 장례의 노래 D168, 기도 D815

연주 : 마를리스 페테르젠(소프라노), 안케 폰둥(메조 소프라노), 베르너 귀라(테너), 콘라트 야르노트(베이스), 크리스토프 베르너(포르테 피아노)  


The Sunday Times 14th. April 2013
“There are treasures here...Marlis Petersen’s bright soprano in Delphine; Werner Gura, a peerless Schubertian tenor, in the cantata-like Der Sanger. The less well-known Anke Vondung (mezzo) and Konrad Jarnot (bass) are no less compelling in their solos, while Berner’s period fortepiano contributes perkily to the domestic ambience of the recital.”

International Record Review May 2013
“This is a high-quality disc for collectors of Schubert's less famous vocal pieces.”

BBC MUSIC MAGAZINE JUNE 2013
“This disc is for the real Schubert connoisseur. It's a recreation of a Schubertiade...The recital is a delight from start to finish, warmly recorded, accompanied by Christoph Berner on a gentle-toned Roenisch fortepiano and with the delectable articulation you'd expect from four native German speakers.” 

Gramophone June 2013
“Solemn, saucy or blithe, this is essentially convivial music, to be enjoyed in company, with a glass at hand...Berner and his regular vocal team are well-nigh ideal advocates. The four singers muster an impressive body of tone...The solo songs come off equally well.”
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* CHOC DE CLASSICA, 그라모폰 에디터스 초이스

HMU907557 일 디비노 (프란체스코 다 밀라노 : 류트 음악)

수록곡 : 프란체스코 다 밀라노: 판타지아, 리체르카르 / 조스캥 데프레: “Que voulez vous dire de moi" / 클로뎅 드 세르미시: ”Tu discois que je mourroye", "Vignon vignetta", "Las je my plains" / 안토니오 데 리베라: “O bone Jesu" / 장 리샤포르: ”De mon triste desplaisir" / 가르네에: “Reveillex moy" / 자크 아르카델트: “Quand'io penso al martire" / 작자 미상: "Mon pere si ma marie", "Pourquoy allez vous seullette"
연주 : 폴 오데트(류트)   

Gramophone July 2013
“a truly ravishing programme in which Francesco's masterly control of drama through register, texture and ornament is fully brought out by O'Dette's highly expressive, cantabile and colouristic playing.”
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HMU907578 메시앙 : 전주곡(비둘기, 슬픈 풍경 속에 황홀한 노래, 경쾌한 풍자, 임종, 꿈 속에서 느끼지 못하는 소리, 고뇌 종과 이별의 눈물, 조용한 한탄, 바람 속의 반영), 피아노 사중주 / 사리아호/ 전주곡, 발라드, 나는 두 번째 마음을 느낀다


연주 :
글로리아 쳉(피아노), 칼더 현악 사중주단  

The Independent 24th. February 2013
“A third composer hovers, ghost-like, in pianist Cheng's beguiling recital with the Calder Quartet. Listen to Messaien's glassy chords and Saariaho's cool rhapsodies and you can almost hear him...Debussy is the daddy. Exquisitely shaped playing and bold musicianship in a compelling, haunting disc.” 

Financial Times 9th. March 2013
“By pairing [Messiaen's Preludes] with a Prelude and Ballade by Kaija Saariaho, Gloria Cheng points to family resemblances, and joins the Calders for Saariaho’s uncharacteristically open-hearted Je sens un deuxieme coeur.”

BBC MUSIC MAGAZINE MAY 2013
“[Cheng's] long association with Messiaen's music bears fruit in a fluid approach to the early Preludes...With Cheng's fine touch paramount in first recordings of Saariaho's Prelude and Ballade, this disc is unlikely to gather dust.”

Gramophone May 2013
“the affinities [between the two composers] are powerful, and they make for a revealing disc. Cheng brings plenty of idiomatic colour to bear on Messiaen's early Preludes” 

International Piano July/August 2013
“Saariaho’s brief Prelude and Ballade revisit Chopinesque fantasy, adding a twist of fluttery Gothic excess, which Cheng judges to perfection” 
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HMU807429 드보르작/ 현악 사중주 12번 ‘아메리카’, 스메타나/ 현악 사중주 1번 ‘나의 생애로부터’
연주 : 도쿄 현악 사중주단 

International Record Review May 2013
“this is recommendable for fans of the Tokyo Quartet’s finely chiseled approach”

The Sunday Times 12th. May 2013
“Does the Tokyo’s superb playing of Dvorak’s “American” lack the authentic Czech bite?...the playing is so fine, the glow of the four Stradivarius instruments so beautiful, such doubts hardly register. What matters is that these musicians perform the music con amore. The tragic conclusion of the Smetana... is devastating.”

BBC MUSIC MAGAZINE JUNE 2013
“In some ways, the Tokyo Quartet on this splendid recorded CD seem almost too relaxed at the start of the American...[They] respond rather better to the tragic drama of Smetana's From My Life Quartet. The opening of the first movement is as shocking as it should be and the subsidiary material is rich in sentiment.”

Gramophone July 2013
“The beauty of these performances lies in their immaculate voicing, their keen sense of tonal perspective and the way the quartet leans this way or that at the behest of a particular phrase or gesture. Neither effete nor especially idiomatic, they promote a rare musical intelligence”
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HMC902153 볼프강 림(Born1952) : 교향곡 가까이와 멀리, 황혼은 하늘에서 내려와
연주 : 한스 크리스토프 베게만(베이스), 루체른 심포니 오케스트라, 제임스 개피건(지휘) 

The Sunday Times 7th. April 2013
“The incalculably prolific Rihm has added another large, unusual opus to his oeuvre...Fragments of the canonical masterpieces tantalisingly punctuate these curious essayistic meditations that seem to combine a sort of brooding languor with a determined cutting edge.”

The Guardian 25th. April 2013
“Typically, Rihm seems empowered rather than restricted by the weight of tradition.”

Financial Times 27th. April 2013
“The most prolific of German composers writes four pieces as pendants to the Brahms symphonies”

International Record Review May 2013
“there's considerable refinement in the playing and Gaffigan avoids drawing undue attention to Brahmsian references - letting them emerge without forcing the point, which was surely Rihm's intention...A thoroughly worthwhile release.”



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