[Linn 그라모폰 어워드 수상작 신보외]
http://to.goclassic.co.kr/newrelease/2459

분노와 기쁨, 슬픔 등 다양한 감정을 내포한 애수적인 다울랜드의 음악을 세계 최고의 비올 앙상블, 판타즘이 연주한다 

CKD527   다울랜드: 라크리메 혹은 일곱 곡의 슬픈 선율

판타즘, 엘리자베스 케니(류트)

*그라모폰 어워드 에디터스 초이스

*2017 그라모폰 어워드 고음악 부문 수상

“Phantasm’s performances are totally convincing and absorbing. Drawing richly on their depth, intensity and homogeneity of tone, their acuity to the music’s ever-active emotional flux leaves them unafraid to use forceful gestures of articulation and dynamics to make a point.” - Gramophone Magazine August 2016

 “Phantasm here offers the same flawless playing that has earned its members consistent, well-deserved accolades. Despite the brooding nature of the music, their sound is luminous and tempos are fluid, highlighting Dowland’s lyricism” - BBC Music Magazine September 2016

 

“At the heart of this disc are the seven variants of the utterly memorable Lachrimae theme, played by Phantasm with their expressive warmth and exquisite subtlety.” - The Observer

 

“...a masterpiece...a valuable addition to our understanding of this remarkable publication, and Dreyfus and Kenny's excellent programme notes give us further valuable players' insights into this extraordinary music.” - Early Music Review

 

CKD544   모차르트: 피아노 협주곡 25번 & 26번 ‘대관식’

프란체스코 피에몬테지(피아노), 스코티쉬 챔버 오케스트라, 앤드류 맨지(지휘)

*그라모폰 에디터스 초이스, 프레스토 클래시컬 금 주의 음반

 

“Phantasm’s performances are totally convincing and absorbing. Drawing richly on their depth, intensity and homogeneity of tone, their acuity to the music’s ever-active emotional flux leaves them unafraid to use forceful gestures of articulation and dynamics to make a point.” - Gramophone Magazine August 2016

 “Phantasm here offers the same flawless playing that has earned its members consistent, well-deserved accolades. Despite the brooding nature of the music, their sound is luminous and tempos are fluid, highlighting Dowland’s lyricism” - BBC Music Magazine September 2016

 

“At the heart of this disc are the seven variants of the utterly memorable Lachrimae theme, played by Phantasm with their expressive warmth and exquisite subtlety.” - The Observer

 

“...a masterpiece...a valuable addition to our understanding of this remarkable publication, and Dreyfus and Kenny's excellent programme notes give us further valuable players' insights into this extraordinary music.” - Early Music Review

 

CKD538   R.슈트라우스: 메타모르포젠 & 관악기를 위한 교향곡

수록곡 – 메타모르포젠 TrV.290 / 세레나데 Op.7 / 관악기를 위한 교향곡 ‘즐거운 일터’ TrV.291

연주: 올드버러 스트링스, 올드버러 윈즈, 니콜라스 다니엘, 마르쿠스 다우너트(지휘)

 

“[The Aldeburgh Strings] sound is lithe and rich, their trajectory isn’t thrown off course by every squall and they coalesce into broad, gutsy gestures when they want to. It’s a sophisticated performance. Strauss’s late wind ensemble pieces get similarly intelligent treatment from Aldeburgh Winds.” - The Guardian, June 2017

 

“Oboist-director Nicholas Daniel negotiates tempos and dynamics so carefully, bittersweetness has its head here. I love the timely consolations of the clarinet family at the one at the end of the complicated first-movement development and in the third-movement trio. But high spirits also abound, and the final victory over depression is all the more impressive” - BBC Music Magazine, September 2017

 

CKD502   시벨리우스: 교향곡 1번 & 6번

연주: BBC 웨일즈 내셔널 오케스트라, 토마스 쇤더가드(지휘)

 

“I like the way Søndergård keeps all the surfaces unvarnished and the woodwind voices keen and folksy. The plain-speaking quality makes for a really elemental sound, with climaxes in the First Symphony’s first movement craggy and rough-hewn. There is a transparency, too, with the prominence of inner parts illuminating the harmony in interesting ways” - Gramophone Magazine June 2017

 “This new release features some very clean-cut, finely detailed playing, reflected in a vividly immediate recording” - BBC Music Magazine July 2017

 

 

CKD567   에든버러 1742

수록곡 – 바르산티: 합주 협주곡 Op.3-1, Op.3-2, Op.3-3/ 헨델: 오페라 ‘알치나’ HWV.34 중에서, 호른 협주곡 HWV.331, 행진곡 HWV.346/ 바르산티: 오랜 스코틀랜드 선율집, 합주 협주곡Op.3-4, 합주 협주곡 Op.3-5

연주: 앙상블 마르쉬아스, 피터 윌란(지휘)

 

 

CKD550   드뷔시: 바다, 잊혀진 노래들/ 포레: 펠레아스와 멜리장드 외

수록곡 – 포레: 오페라 ‘페넬로프’에의 전주곡/ 포레(쾨클랭 편곡): 모음곡 ‘펠레아스와 멜리장드’(오케스트라 반주)/ 드뷔시(딘 편곡): 잊혀진 노래들(오케스트라 반주 버전)/ 드뷔시: 교향시 ‘바다’

연주: 막달레나 코제나(소프라노), 베를린 독일 심포니 오케스트라, 로빈 티치아티(지휘)

Dean’s adventurous but respectful settings highlighting Kožená’s radiant top register and fine expressive range.”

- The Daily Telegraph

“La Mer, however, was terrific, with Ticciati patiently building up the vast canvas of Debussy at his most elemental.”

- Financial Times

 

 

CKD569   몬테베르디: 성모 마리아의 저녁기도 1610 (2CD)

연주: 조안 런(소프라노), 로리 맥클리리(카운터테너), 피터 하베이(테너), 히스 마제스티즈 색벗 & 코르넷, 더니든 콘소트, 존 버트(지휘)

“Evanescent, visceral, thrilling Monteverdi...” - The Guardian

“This richness and variety shone through in this superbly stylish and joyful performance from Dunedin Consort”’ - The Herald

“It is hard to imagine a more exquisite, deeply felt performance.” - The Scotsman

 

 

CKD569   몬테베르디: 성모 마리아의 저녁기도 1610 (2CD)

연주: 조안 런(소프라노), 로리 맥클리리(카운터테너), 피터 하베이(테너), 히스 마제스티즈 색벗 & 코르넷, 더니든 콘소트, 존 버트(지휘)

 

“Everything to which Phantasm turn their hands is well worth hearing.” - MusicWeb International

“Phantasm is simply the best viol consort around.” - BBC Music Magazine

“I was bowled over by what was possibly the finest viol consort playing I had ever heard.” -American Record Guide

 

 

CKD569   몬테베르디: 성모 마리아의 저녁기도 1610 (2CD)

연주: 조안 런(소프라노), 로리 맥클리리(카운터테너), 피터 하베이(테너), 히스 마제스티즈 색벗 & 코르넷, 더니든 콘소트, 존 버트(지휘)

‘In tandem with the ever-perceptive Malcolm Martineau, Boesch’s concentrated Innigkeit can be haunting.’ Gramophone

‘Boesch’s talent is to deliver these songs as if he is simply in conversation, allowing the verse to fall naturally and directly.’ The Times

 

 

CKD562   전환기 – 하이든, 쿠프랭, 몬/ 첼로 협주곡

쿠프랭(1668-1733)/ 첼로를 위한 연주회용 소품, 게오르크 마티아스 몬(1717-1750)/ 첼로 협주곡 G minor, 하이든(1732-1809)/ 첼로 협주곡 1번 C major Hob.VIIb:1

연주: 스코티쉬 챔버 오케스트라, 코린 모리스(첼로, 지휘)

 

‘The French portion of Morris’s soul soars in her graciously idiomatic playing.’ Voix des Arts

‘Ms Morris’ 1876 Miremont cello’s rich warm brown voice sang joyfully, precisely, elegantly: her playing was expressive, but restrained.’ ScotsGay

‘Morris drew every ounce of expression from the slow movement.’ The Strad

작성 '17/09/28 14:06
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